Artists like Jim Reeves and Patsy Cline - who became Lynn’s mentor - were having a lot of success with a lush, pop-sweetened production style known as the Nashville Sound. These efforts had begun to get Lynn noticed when the couple landed in Nashville in 1960. Lynn and her husband drove around to radio stations, where she would introduce herself to the DJs and try to charm them into spinning her record. I can do that.’ And she could, and had been.” “She would read the country lyrics in the magazine, and she’d go, ‘Well that’s nothing. “She got a copy of Country Song Roundup,” Oermann says – a magazine that printed country lyrics and stories about the musicians. Once her husband started scrounging up paying gigs for her, Lynn taught herself to write songs, says country music historian and journalist Robert Oermann. I was really bashful and I would have never sang in front of anybody.” In a 2010 interview with Fresh Air, she insisted she wouldn’t have done it otherwise: “I wouldn’t get out in front of people. It was there that her husband heard her bedtime lullabies and pushed her to start performing publicly. Lynn was barely a teenager when she started a family of her own with a 21-year-old former soldier, Oliver Lynn, better known as “Mooney” or “Doolittle.” They wasted no time having the first four of their six children, and migrated to Washington state. One of the biggest songs of her career, “Coal Miner’s Daughter,” proudly recounted her background. “In a music business that is often concerned with aspiration and fantasy, Loretta insisted on sharing her own brash and brave truth.”īorn Loretta Webb, the singer was raised in a remote coal mining community in the Appalachian Mountains of eastern Kentucky. “The story of Loretta Lynn’s life is unlike any other, yet she drew from that story a body of work that resonates with people who might never fully understand her bleak and remote childhood, her hardscrabble early days, or her adventures as a famous and beloved celebrity,” Kyle Young, CEO of the Country Music Hall of Fame and Museum, said in a statement. “Our precious mom, Loretta Lynn, passed away peacefully this morning, in her sleep at home at her beloved ranch in Hurricane Mills,” her family said in a statement. Up until her death at the age of 56, she was known as "the female preacher." But it wasn't until 16 years after "Think (About It)" that her holy vocals were re-purposed by rap pioneers to ensure Lyn Collins a legacy of her own.Loretta Lynn, the country music icon who brought unparalleled candor about the domestic realities of working-class women to country songwriting - and taught those who came after her to speak their minds, too – died today at her home in Tennessee. He even produced and released Collins' only two albums, 1972's Think (About It) and 1975's Check Me Out If You Don't Know Me by Now. So I bugged him quite a bit, until he listened to me."īrown was given credit for Collins' success throughout her career. "He didn't really discover me, I discovered him," Collins said in response to a Soul Train audience member in 1973 when they asked her how Brown discovered her. But Collins still wanted to maintain her own voice as an artist. That meant looking the part, acting the part and sounding the part. "To be the singer, to be the female goddess on his show, she had to be - when he was around - she had to be a star at all times," she says. But as Love explains, Brown was a taskmaster. Love says that Collins grew up singing in Abilene, Texas, and was handpicked by Brown to be his female counterpart. "Now, she was going and making appearances on different shows, and it wasn't under the guise of James Brown," says Lola! Love, a friend of Lyn Collins and dancer for James Brown. The song helped her find a renewed identity of her own, which is important when you consider her boss. But even though it wasn't Lyn Collins' voice on "It Takes Two," other artists started covering "Think (About It)," and she started getting calls.
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